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  • Image of UT skyline

    Digital Frontiers 2019: Tear Down The Walls
    Vol. 2 No. 1 (2022)

    Digital Frontiers 2019: Tear Down The Walls took place September 26-28, 2019 in Austin, Texas.

  • Realizing Resistance Two logo features the stylized letters "RRII" and an image of our nonbinary droid mascot, RiRi. They have a cat-like head, a humanoid torso and arms, and one large wheel for mobility.

    Realizing Resistance Episode II: Uncharted Galaxies
    Vol. 3 No. 1 (2023)

    Proceedings from Realizing Resistance Episode II: Uncharted Galaxies, which took place virtually May 4-7, 2021. The conference featured scholarly and creative interventions examining Star Wars media as cultural texts with an explicit focus on themes of resistance and justice.

  • Cover Image of Unbound volume 1, number 1.

    Realizing Resistance: An Interdisciplinary Conference on Star Wars, Episodes VII, VIII & IX
    Vol. 1 No. 1 (2019)

    The debut issue of Unbound is the Proceedings from Realizing Resistance: An Interdisciplinary Conference on Star Wars, Episodes VII, VIII & IX

    Although Star Wars: Episode IV: A New Hope may have started out on shaky ground, its cinematic release in 1977 forever changed the landscape of American pop culture. As Douglas Brode has argued, Star Wars, simply put, had turned out to be not merely the latest momentary blip on the entertainment screen but an essential element of how we define ourselves through the movies and related media. Far from simply reflecting a particular film genre, Star Wars has become a cultural phenomenon that has impacted pop culture for over four decades.

    This conference critically explored what it means to be "with the Resistance" by focusing on Episodes VII, VIII, and (to the extent possible) IX, as well as the various ways these films reflect, contribute to, or even fail to show  "how we define ourselves through the movies and related media." In other words, this conference aimed to bring together scholars from across disciplines to examine the three most recent Star Wars films as cultural texts, with an explicit focus on themes of resistance and justice, and on how these films contribute to, reflect, or depart from broader contemporary cultural practices and social discourses.